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DVD of the month

The Copenhagen Ring - winner of The Gramophone Award 2009 (DVD)

Recording of the month

Kirsten Flagstad: Volume 1, The Early Recordings 1914-1941

 


Important years in Richard Wagner's life

1813 born in Leipzig
1834 Die Feen completed
1843 Holländer premiere
1845 Tannhäuser premiere
1850 Lohengrin premiere
1852 text of Rheingold and Walküre
1854 Das Rheingold completed
1856 Die Walküre completed
1859 Tristan completed
1865 Tristan premiere in Munich
1868 Meistersinger premiere
1869 Das Rheingold premiere
1870 Die Walküre premiere
1871 Siegfried completed
1874 Götterdämmerung completed
1876 First Festival in Bayreuth
1882 Parsifal premiere
1883 Wagner dies in Venice

 

Siegfried - Zweiter Tag aus dem Bühnenfestspiel Der Ring des Nibelungen

The premiere of Siegfried was on 16 August 1876 at the Festival House in Bayreuth, as part of a complete Ring cycle. Conductor was Hans Richter.

Mime (Graham Clark) is trying to teach Siegfried (John Treleaven) what fear is. Screenshot from Harry Kupfer's production at Gran Teatre del Liceu in Barcelona, available on DVD from Opus Arte.

Siegfried (as part of the complete Ring des Nibelungen) was produced in the following cities the first years after the world premiere at the Bayreuth Festival on 16 August 1876

1878 München
1879 Wien
1880 Hamburg
1881 Berlin (Angelo Neumann's travelling Wagner-Theatre with guest performances in Berliner Viktoria-Theater)
1882–1883 Angelo Neumann's travelling Wagner-Theatre on tour: London (Her Majesty's Theatre), Breslau, Königsberg, Danzig, Hannover, Bremen, Barmen, Dresden, Amsterdam, Brüssel, Aachen, Düsseldorf, Mainz, Darmstadt, Karlsruhe, Strassburg, Stuttgart, Basel, Venice, Bologna, Rome, Torino, Triest, Budapest, Graz – totaling 135 performances of the Ring!

Siegfried on DVD
Siegfried on CD

 

 

The titles of Richard Wagner's operas in different languages

Famous quotes from Siegfried

Siegfried

Das ist kein Mann!

 

Said about Siegfried

On the page Siegfried doesn’t look that daunting – just long – but when I did it I realised how impossible it is to have an absolute success as Siegfried. It requires three different tenor voices, incredible stamina, and no matter how well you do it you will have two-thirds of the audience not liking you – one-third want only baritonal heft, others only want a steely sound coming out, whilst the others want an extraordinarily youthful Windgassen sound.
Stephen Gould in an interview with Jim Pritchard

Other links to Siegfried

 

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