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DVD of the month

Tannhäuser - David Alden

David Alden's production of Tannhäuser at Bayerische Staatsoper, München

Recording of the month


Important years in Richard Wagner's life

1813 born in Leipzig
1834 Die Feen completed
1843 Holländer premiere
1845 Tannhäuser premiere
1850 Lohengrin premiere
1852 text of Rheingold and Walküre
1854 Das Rheingold completed
1856 Die Walküre completed
1859 Tristan completed
1865 Tristan premiere in Munich
1868 Meistersinger premiere
1869 Das Rheingold premiere
1870 Die Walküre premiere
1871 Siegfried completed
1874 Götterdämmerung completed
1876 First Festival in Bayreuth
1882 Parsifal premiere
1883 Wagner dies in Venice

 

John Tomlinson

John Tomlinson as Wotan, Anne Evans as Brünnhilde in the Barenboim/Kupfer Ring at Bayreuth

John Tomlinson is a British bass, born in 1946.

Tomlinson has done all the great bass roles in the Wagnerian repertoire, but his major achievement is probably as Wotan/Wanderer in the Barenboim/Kupfer Ring at the Bayreuth Festival (1988-92). Here is how The Gramophone Classical Music Guide 2008 describes Tomlinson as Wotan on the Kupfer/Barenboim Ring CD:

He [Tomlinson] manages to sing every word with insistent meaning and forceful declamation while maintaining firm legato. His German is so idiomatic that he might have been speaking the language his whole life and he brings breadth and distinction of phrase to his solos at the close of both operas.

At the Bayreuth Festival he appeared for eighteen seasons (1988-2006), as Wotan, the Wanderer, Gurnemanz, Titurel, King Marke, Hagen and Holländer.

cover Kupfer RingSee list of John Tomlinson's Bayreuth appearances here

John Tomlinson's Wagner repertoire

In 2007 John Tomlinson was honoured with the "Special Award" at the Laurence Olivier Award Ceremony. He was awarded a Companion of the Order of the British Empire in 1997, and Knighted in the Queen's Birthday Honours of 2005.

John Tomlinson on Wagner

Always we seem to come back to Wagner though. Of course, Wagner is a magnificent composer: the music is incredible. Whatever other music I do, coming back to Wagner is like coming home. And I think it suits what in particular I’ve got to give: my voice, probably the way my mind works as well. I think it all fits very well with the North European mythology, the way the whole thing is psychologically constructed. It all feels like a completely natural expression of the human condition in a way.
Tomlinson in conversation with Mark Berry

 

 

Search for John Tomlinson CDs and DVDs on Amazon

Tomlinson's Homepage

John Tomlinson's Bayreuth appearances

See interview with John Tomlinson at Wagneropera.no (in Norwegian)

 

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