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DVD of the month

The Copenhagen Ring - winner of The Gramophone Award 2009 (DVD)

Recording of the month

Kirsten Flagstad: Volume 1, The Early Recordings 1914-1941

 


Important years in Richard Wagner's life

1813 born in Leipzig
1834 Die Feen completed
1843 Holländer premiere
1845 Tannhäuser premiere
1850 Lohengrin premiere
1852 text of Rheingold and Walküre
1854 Das Rheingold completed
1856 Die Walküre completed
1859 Tristan completed
1865 Tristan premiere in Munich
1868 Meistersinger premiere
1869 Das Rheingold premiere
1870 Die Walküre premiere
1871 Siegfried completed
1874 Götterdämmerung completed
1876 First Festival in Bayreuth
1882 Parsifal premiere
1883 Wagner dies in Venice

 

Parsifal

Richard Wagner completed Parsifal in 1882. The same year it was premiered in the re-opening of the Bayreuth Festival. Parsifal was the only opera production that was played at the Festival in 1882. It was performed 16 times.

Parsifal Bayreuth

Parsifal - Stefan Herheim's production at Bayreuth.

Parsifal was produced in the following cities the first years after the world premiere in Bayreuth on 26 July 1882

Richard Wagner ordered Parsifal was to be performed no other place than the Bayreuth Festival. For 30 years Parsifal could not be performed outside Bayreuth.

1883 Bayreuth
1884 Bayreuth
1886 Bayreuth
1888 Bayreuth
1889 Bayreuth
1891 Bayreuth
1892 Bayreuth
1894 Bayreuth
1897 Bayreuth
1899 Bayreuth
1901 Bayreuth
1902 Bayreuth
1903 Paris (concert performance of highlights)
Milano (La Scala) (concert performance of highlights)
New York (Metropolitan Opera), complete
1904 Bayreuth
1906 Bayreuth
1908 Bayreuth
1909 Bayreuth
1911 Bayreuth
1912 Bayreuth
1913 Monte Carlo
Zürich
1914 Barcelona and 40 other theatres only in the first month of the year
Bayreuth

 

Famous quotes from Parsifal

Parsifal

Wer ist der Gral?


Nur eine Waffe taugt -
die Wunde schliesst
der Speer nur, der sie schlug.

 

Gurnemanz

Zum Raum wird hier die Zeit.

 

Said about Parsifal

Mark Twain

The first act of the three occupied two hours, and I enjoyed that in spite of the singing.
[...]
it seems to me that the chief virtue in song is melody, air, tune, rhythm, or what you please to call it, and that when this feature is absent what remains is a picture with the color left out. I was not able to detect in the vocal parts of "Parsifal" anything that might with confidence be called rhythm or tune or melody; one person performed at a time--and a long time, too--often in a noble, and always in a high-toned, voice; but he only pulled out long notes, then some short ones, then another long one, then a sharp, quick, peremptory bark or two--and so on and so on; and when he was done you saw that the information which he had conveyed had not compensated for the disturbance.
[...]
An ignorant person gets tired of listening to gymnastic intervals in the long run, no matter how pleasant they may be. In "Parsifal" there is a hermit named Gurnemanz who stands on the stage in one spot and practices by the hour, while first one and then another character of the cast endures what he can of it and then retires to die.
Mark Twain in a travel letter from Bayreuth


 

 

 

Parsifal links

The titles of Richard Wagner's operas in different languages

 

 

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