logo wagneropera.net
≡
  • Home
  • Interviews
    • Stefan Herheim on Parsifal
    • Stefan Herheim on the Bayreuth Festival
    • Stefan Herheim on staging preludes
    • Peter Konwitschny
    • Detlef Roth
    • Irene Theorin
    • Kasper Holten
    • Johanna Meier
    • Anne Evans
    • Graham Clark
    • Penelope Turing
    • Alexander Meier-Dörzenbach on Lohengrin
    • Alexander Meier-Dörzenbach on La bohème
    • Daniel Slater
    • Lisbeth Balslev
    • Lioba Braun
    • Sharon Polyak
  • Wagner Operas
    • Tristan und Isolde
      • Tristan conductors at Bayreuth
    • Tannhäuser
      • Tannhäuser productions
      • Tannhäuser conductors at Bayreuth
    • Der Ring des Nibelungen
      • Ring productions
    • Parsifal
      • Parsifal productions
      • Parsifal conductors
      • Libretto Act 1
      • Libretto Act 2
      • Libretto Act 3
    • Die Meistersinger von Nürnberg
    • Lohengrin
    • Der fliegende Holländer
  • Bayreuth Festival
    • Bayreuth Festival 2025
    • Bayreuth Festival 2024
    • The Bayreuth Festival
    • My Bayreuth Experience
    • Villa Wahnfried
    • Bayreuth Ring productions
    • Bayreuth Tannhäuser productions
    • Parsifal conductors at Bayreuth
    • Tannhäuser conductors at Bayreuth
    • Tristan und Isolde conductors at Bayreuth
  • Articles/reviews
    • Introduction
    • Mark Berry
    • Erling E. Guldbrandsen
    • Sam Goodyear
    • News
  • Richard Wagner
    • A biographical sketch
    • Wagner videos
    • Wagner Biographies
    • Richard Wagner in Sicily
    • Wagner recommendations on CD and DVD
    • Wagner Books
    • Wagner links
    • Wagner timings
    • Richard Wagner: My Life
  • Wagner i Norge
    • Wagner i Norge
    • Nordmenn i Bayreuth
    • Edvard Grieg i Bayreuth 1876
    • Stefan Herheim om Parsifal i Bayreuth
    • Stefan Herheim om samarbeidet med Gatti etc.
    • Stefan Herheim om Bayreuth
    • Intervju med Wolfgang Wagner
    • Intervju med John Tomlinson
    • Intervju med Lisbeth Balslev
    • Intervju med Poul Elming
    • Intervju med Susanne Øglænd
    • Intervju med Irene Theorin
    • Intervju med Gottfried Wagner
    • Intervju med Elisabeth Strid
    • Erling E. Guldbrandsens anmeldelser
  • About
    • Erling E. Guldbrandsen
    • Mark Berry
    • Sam Goodyear
    • The editor

Elisabeth Grümmer at the Bayreuth Festival

1957

Das Rheingold (Freia)
Götterdämmerung (Gutrune)
Die Meistersinger von Nürnberg (Eva)

1958

Das Rheingold (Freia)
Götterdämmerung (Gutrune)
Die Meistersinger von Nürnberg (Eva)

1959

Lohengrin (Elsa)
Die Meistersinger von Nürnberg (Eva)

1960

Lohengrin (Elsa)
Die Meistersinger von Nürnberg (Eva)

1961

Die Meistersinger von Nürnberg (Eva)

 

 

Selected Biographies

Daniel Barenboim

Leonard Bernstein (1918-1990)

Pierre Boulez (1925 – 2016)

Graham Clark (1941-2023)

Anne Evans

Kirsten Flagstad (1895-1962)

Stephen Gould (1962–2023)

Stefan Herheim

Hans Hotter (1909–2003)

Gwyneth Jones

Harry Kupfer (1935-2019)

James Levine (1943–2021)

Waltraud Meier

Elisabeth Teige

Christian Thielemann

John Tomlinson

Arturo Toscanini (1867-1957)

Klaus Florian Vogt

Katharina Wagner

Siegfried Wagner (1869-1930)

Wieland Wagner (1917-1966)

Wolfgang Wagner (1919–2010)

Georg Zeppenfeld

Wagner biographies

 

 

Wagneropera.net

 

The Bayreuth Festival

The Bayreuth Festival 2025

The Bayreuth Festival 2024

Wagner Interviews

The Best Wagner recordings

Wagner Biographies

Wagner Operas Timings

Parsifal conductors at Bayreuth

Tristan und Isolde conductors at Bayreuth

Ring productions at Bayreuth

Wagner Books

Richard Wagner in Sicily


Der Ring des Nibelungen

Das Rheingold

Die Walküre

Siegfried

Götterdämmerung

Parsifal

Tristan und Isolde

Die Meistersinger von Nürnberg

Tannhäuser

Lohengrin

Der fliegende Holländer

Wagner News

 

 

 

 

One of the finest monuments in sound ever to have been raised to the everlasting glory of music. (Claude Debussy on Parsifal)

"The thing about Wagner is that there can be no true success in any production of his operas, only degrees of failure. There is so much in these bloody pieces, all you can do is try to live up to them." (Keith Warner, The Guardian)

"I have never come across an audience with so much hatred, so much anger, such a thirst for revenge. They take everything personally. It makes you a little bit scared, and it's really quite terrifying." (Lance Ryan on the audiences at Bayreuth)

"People sometimes complain that Wagner operas are too long, that they get stiff and sore about 10.30 because they have rushed in to hear one of his works straight from work and are not properly prepared for listening to his music. The audience, as much as the artists, must be prepared for a performance."
(Benjamin Britten to Alan Blyth, Gramophone)

 

"I was bowled over. It was the year after Wieland Wagner had died; to be able to see his productions was a total knock-out. These bare stagings, where everything was done with lighting. The light changed with the music, and the shadows and patterns seemed as archetypal as the music itself. Nobody had done that on the stage before. I thought it was extraordinary and wonderful."
(Patrick Carnegy to The Guardian)

Wagneropera.net

 

 

 

 

 

 

 

© Per-Erik Skramstad - Wagneropera.net. E-mail: editor@wagneropera.net.

 

Org.nr. 982 803 217

 

LinkedIn - Wagneropera.net on Facebook -

 

About

 

Developed by Webkommunikasjon.no