Erling E. Guldbrandsen Reviews
Reviews from the Bayreuth Festival
- Stefan Herheim: Lohengrin. Staatsoper Berlin, 2009: Den norske opera-regissøren Stefan Herheim fortryller Berlin. (Norwegian)
- Wagner i Alpene og opera i Norge (Operafestspillene i Erl - Tiroler Festspiele Erl) (Norwegian)
- Den ustanselige aktualitet: Richard Wagner i Bayreuth 1998 (Norwegian)
- Richard Wagner-Festspiele, Bayreuth 1999 Men kvinnene døde stående (Norwegian)
- Richard Wagner-Festspiele, Bayreuth, 1999. Lohengrin: Tynget av symboler, men dyster og sterk (Norwegian)
- Jürgen Flimms Ring i Bayreuth, 2000: Politikkens omslag i musikk (Norwegian)
- Schlingensiefs Parsifal: Døde harer og herlig musikk i Bayreuth (Richard Wagner-Festspiele 2004) (Norwegian)
- Der Ring des Nibelungen: Ringen er sluttet i København (Norwegian)
- Stefan Herheim: Parsifal (2008). Mystikk og begjær i Bayreuth (Norwegian)
Erling E. Guldbrandsen
Erling E. Guldbrandsen is professor at the Department of Musicology, University of Oslo since 2004. He has published widely on Wagner, Bruckner, Mahler, J.S. Bach, Pierre Boulez and musical modernism, on Norwegian opera after Wagner, and on music history, contemporary music, aesthetics and performance studies.
His most recent publication on Wagner is “Staging the King. Readings of Wagner’s Tristan” (in Studia Musicologica Norvegica 41, Oslo: Universitetsforlaget 2015).
His next book, Transformations of Musical Modernism, which he is co-editing with prof. Julian Johnson at the University of London, Royal Holloway, is forthcoming on Cambridge University Press in 2015. Guldbrandsen also works as a music critic (for the Norwegian Broadcasting Corp. and for the weekly paper, Morgenbladet) and he has covered the Richard Wagner Festival in Bayreuth since the 1990s.
For his recension of Lohengrin (performed at the Norwegian national opera in March 2015) he received the award, “Critique of the year”.