logo

Be hip - join Wagneropera.net on Facebook

Wagneropera.net on Twitter


DVD of the month

Tannhäuser - David Alden

David Alden's production of Tannhäuser at Bayerische Staatsoper, München

Recording of the month


Important years in Richard Wagner's life

1813 born in Leipzig
1834 Die Feen completed
1843 Holländer premiere
1845 Tannhäuser premiere
1850 Lohengrin premiere
1852 text of Rheingold and Walküre
1854 Das Rheingold completed
1856 Die Walküre completed
1859 Tristan completed
1865 Tristan premiere in Munich
1868 Meistersinger premiere
1869 Das Rheingold premiere
1870 Die Walküre premiere
1871 Siegfried completed
1874 Götterdämmerung completed
1876 First Festival in Bayreuth
1882 Parsifal premiere
1883 Wagner dies in Venice

 

Tristan und Isolde (DVD): Peter Konwitschny, Zubin Mehta, Waltraud Meier, Jon Fredric West, Kurt Moll, Bernd Weikl

Stage director: Peter Konwitschny

Conductor: Zubin Mehta

Tristan: Jon Fredric West
Isolde: Waltraud Meier
King Marke: Kurt Moll
Kurwenal: Bernd Weikl
Melot: Claes H. Ahnsjö
Brangäne: Marjana Lipovsek

Orchester der Bayerischen Staatsoper

Director: Brian Large
Stage and costume design: Johannes Leiacker
Lighting design: Michael Bauer

Filmed in 1998.

Buy the Munich Tristan with Waltraud Meier on Amazon

Comments

The major strength is Waltraud Meier´s mesmerizing Isolde, here with her entire radiance, displaying her immensely varied acting skills as well as effortless throwing off the high Cs. An exceptionally powerful performance, overpowering the vocally stressed as well as dramatically uninteresting Jon Frederic West as Tristan.
Mostly Opera

Er sah mir in die Augen!

The DVD of the Munich production of Tristan und Isolde (staged by Peter Konwitschny) from 1998 is loaded with highlights. The production is what conservatives would call "modern", with naïve stage sets in bright colours, strange outfits, a torch made of paper (?) and some new twists that obviously provoke some.

There is a lightness in this production that matches the tragic and dramatic elements very well. The production plays with our conceptions on how a Tristan should be, and even makes fun of literal readings of the text (Kurwenal carrying Isolde in Act 3 (Sie trag ich herauf, trau meinen Armen!)). The coffin closing the opera may also be a comment to the traditionalists, but the ending is open. Tristan and Isolde has literally stepped out of the opera and done out of the stage, so why the coffins? Have they left for a better world?

The first major highlight comes in Isolde's narration when she tells of her encounter with Tristan. She had an opportunity to kill him, but let's her sword drop. The passage "Von seinem Lager / blickt er her – / nicht auf das Schwert, / nicht auf die Hand – /er sah mir in the Augen. / Seines Elendes / jammerte mich! – / Das Schwert – ich liess es fallen!" is absolutely sublime – no one can sing this like Waltraud Meier! The passion, the confusion, the surrendering.

Buy the Munich Tristan with Waltraud Meier on Amazon

Buy the Munich Tristan with Waltraud Meier on Amazon

Frau Minne will: es werde Nacht

The second really great and magic moment of the Konwitschny Tristan on DVD, is the moment in the second act when Waltraud Meier sings:

Frau Minne will:
es werde Nacht,
dass hell sie dorten leuchte

The orchestra gives everything and plays like there's no tomorrow under Zubin Mehta, and combined with Meiers brilliant voice these few seconds (1.36.04 – 1.36.20) have an emotional impact that I doubt can be surpassed.

In Heiner Müller's claustrophobic and anti-romantic production of Tristan (Bayreuth, 1993-99), Waltraud Meier stands in a "cemetery of breastplates" when she sings this passage. Not even close in comparison.

 

See also

If you see any errors or omissions, or you just have some comments, please e-mail us: editor@wagneropera.net

Web editor: Per-Erik Skramstad
Developed by Webkommunikasjon.no

Search Engine Optimization by Per-Erik Skramstad