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DVD of the month:
Harry Kupfer's Parsifal production (1992)

 

Editor's recommendation

 


 

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Eva Rieger: Wagner's Women

 


Important years in Richard Wagner's life

1813 born in Leipzig
1834 Die Feen completed
1843 Holländer premiere
1845 Tannhäuser premiere
1850 Lohengrin premiere
1852 text of Rheingold and Walküre
1854 Das Rheingold completed
1856 Die Walküre completed
1859 Tristan completed
1865 Tristan premiere in Munich
1868 Meistersinger premiere
1869 Das Rheingold premiere
1870 Die Walküre premiere
1871 Siegfried completed
1874 Götterdämmerung completed
1876 First Festival in Bayreuth
1882 Parsifal premiere
1883 Wagner dies in Venice

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Parsifal (CD): Knappertsbusch (1962), Talvela, Hotter, Thomas, Neidlinger, Dalis, Nienstedt, Stolze, London, Janowitz, Silja

Conductor Hans Knappertsbusch

Amfortas George London
Titurel Martti Talvela
Gurnemanz Hans Hotter
Parsifal Jess Thomas
Klingsor Gustav Neidlinger
Kundry Irene Dalis
Altsolo Ursula Boese
Gralsritter Niels Möller
Gralsritter Gerd Nienstedt
Knappe Sona Cervená
Knappe Ursula Boese
Knappe Georg Paskuda
Knappe Gerhard Stolze
Blume Gundula Janowitz
Blume Anja Silja
Blume Else-Margrete Gardelli
Blume Dorothea Siebert
Blume Rita Bartos
Blume Sona Cervená

Chor und Orchester der Bayreuther Festspiele

Live recording at the Festspielhaus Bayreuth, 1962

Reviews of Knappertsbusch's Parsifal (1962)

This isn't merely one of Philip's great recordings but also one of the greatest sets of all time. Every time one returns to it, its inspiration and distinction seem to have been enhanced. There have been many fine recordings of this great Eastertide opera, but none has so magnificently managed to capture the power, the spiritual grandeur, the human frailty and the almost unbearable beauty of the work as Hans Knappertsbusch. This live recording has a cast that has few equals. Hotter is superb, fleshing out Gurnemanz with a depth of insight that has never been surpassed. London's Amfortas captures the frightening sense of impotence and anguish with painful directness while Thomas's Parsifal grows as the performance progresses and is no mean achievement. Dalis may lack that final degree of sensuousness, but she provides a fine interpretation nevertheless. Throughout the work, Knappertsbusch exercises a quite un-equalled control over the proceedings; it's a fine testament to a great conductor. The Bayreuth acoustic is well reproduced, and this record is a profound and moving experience.
The Gramophone Classical Music Guide 2008
Gramophone gives the recording the gem symbol: "An unrivalled version, a cornerstone of the catalogue. A real gem!"

 

Knappertsbusch's Bayreuth recording of Parsifal 1962 on Amazon

 

 

Norway mourns massacre victims

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